Curated Sci-Fi Horror

Brad and Janet take shelter from a storm in a nearby castle where the host has a science project almost ready to unveil and guests are welcome to stay for it. It's deliberately absurd and entirely committed to that.

Joanna Eberhart moves her family to a suburb called Stepford and notices something unusual about the wives there. They seem happy in ways that don't quite add up.

Joanna Eberhart's career implodes and her husband relocates the family to the perfect suburb of Stepford. The wives there seem engineered rather than merely content.

Sue Morrow injects the Substance and creates a second younger version of herself. The two halves must share existence within the program's strict rules.

A research team in Antarctica takes in a stray dog from a neighboring camp. What comes out of that dog is a very different problem.

A Norwegian research team uncovers something in the Antarctic ice. The prequel explains what happened at the camp discovered at the start of the 1982 film.

Rod Serling hosts a weekly anthology at the intersection of science fiction, fantasy, horror, and the deeply uncomfortable. The twist ending as a dramatic device was invented here.

Four directors, four very different approaches to the same source material. At least two of the segments are legitimately great.

Gemma and Tom follow an estate agent to a development of identical houses and can't find their way back out. The house they can't leave contains a child that isn't theirs.

Nolan inherits a building once used as a children's entertainment venue and is forced to survive the night with its mechanical residents.

A former UN investigator is pulled back into service to trace the origin of a zombie outbreak spreading faster than any model predicted.

Cole and his friend Danny attend a New Year's Eve 1999 house party. The computer crash they were warned about triggers something considerably more dangerous than power outages.